Posts Tagged ‘grandmother’

a cento poem study group, (Read Write Poem Challenge #3)

inspired by the cento poems of Li-Young Lee

cento poem group index

Saving mother

Maybe this time I’ll rescue my mother.

Pearl Harbor will just be a sleepy port.

Nobody came & nobody went.

Nothing lost & no wedding bells.

We’ll listen to corn in the summer fields,

rows & rows. Feed my lambs, a feather

said, someone loves like wind, no hope,

no brown uniform thrown on the bed.

His face won’t be in the photograph.

His face won’t look like mine. Nothing

gambled in the high desert dust.

No frozen clothes on the line.

Brothers will just be brothers, won’t

go speechless in the light of day.

Although that one of them, he’ll still

go to Alaska on a tall sail ship.

He’ll still die, an artful youth of a man.

Some things just gotta be. Else no

wonder of clay, sister on the desk.

Maybe Grandfather & Grandmother

will be Egyptian or Indian or make roots,

not drought. She’ll land covered in rain.

Maybe she’ll smile, never knowing

I changed everything, including me.

Neil Reid © February 2010

Read Write Poem poetry mini-challenge:

fall in love with a poet, February 2010

by Carolee Sherwood and Jill Crammond WIckham

POEM notes: Writing this poem was inspired by the strong general sense of family as present in the poetry of Li-Young Lee, and specifically the first line here, Maybe this time I’ll rescue my mother, from his poem, Mother Deluxe.

During the later years of my mother’s life as her memory faded deeper and deeper inside, while I was glad to serve and care for her the general sense was bailing water from a sinking ship. Inevitable. Seeing that word, “rescue”, opened another chance of possibility for me. Not that I can change the physical result, however I can change how I hold that relationship, and even if but for a moment in time and reflection, rescue her, and from not only those last years but from all the history that also colored them.
It is spoken in gratitude.

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Pocket guide

P o c k e t g u i d e

i.

Small steps. You know,

those at both ends of the coin.

She stands waving a few steps outside

her kitchen door. Vigilant. Woven into

that basket named grandmother.

Some voice of me these decades

later still resists saying the perfect words,

lest in fair expression they evaporate.

I keep her life in my pocket,

close at hand.

I am jealous at even the hint of

a passing far thought, leaving without

my open palms.

In the doubt dark of some nights

me and the cats miss you still.

ii.

Small steps. You know,

those at both ends of the coin.

A daughter and parents. Three chimes

through the door. She chews her food

carefully. Father leans in.

How high is a paper wall?

Across the room another page turns.

More like a window opens perhaps?

Small yellow-jacketed, he smiles

at me. I move my thought filled

hand from in front of my face.

I smile back.

Crow pleads the rain on the roof

outside. Please, one more feast!

Father holds the door, they all depart.

I still stir the wonder, what her

letter meant the other night.

And how to reply?

I leave with work undone.

Neil Reid © November 2009


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 read write prompt #100

 turning dreams into poetry by bruce covey

 

Dunne Avenue incomplete

 
The house arrived about noon.  Just down the street.
South, then West where the sun would pinhole horizon’s thread.

 

Roses and green, space enough in between for a child to scramble.

Flitting.  Hiding.  Other children almost there, but not yet.

 

We approach like strangers don’t.  Already inside before first face.

It was usual for me to open the door, usual to walk inside.

 

Inside the living room it was grandmother’s house.  Two stories and brown.

The windows looked inside.  Bedroom to the left, Janet’s room.

 

Rosemary Clooney sang on the phonograph.  Past lunch,

a back screened porch and a door with stairs inside.

 

Uncle and I hauled up tools on a skid.  But that was when I was awake.

And when the rooms were eaten up, pastels took their place.

 

Expectations were ten times what we thought, except ten times more.

Rooms became double meanings in eclipse.

 

Lost in a way no one could find me there.  Even evening lights

turned on, no one could see inside or find.

 

Atop wooden stairs you climbed into sky.  Sky like dusted roof

rafters holding the space inside.  Clouds like hewn timbers are.

 

Childish memory knows every path.  No one could see through

empty space.  Hands are essential compass for walking about.

 

Then one door changed its mind.  Changed everything.

Kindling fire wondered out loud.  No arms to reach.

 

And blinking was something else all together.

No ending here, only step away.  Awake.


 

Neil Reid © November 2009


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For Janet

 

Grandmother’s thumbs

 

Redeemer of a two-toed cat.  Kitten so slight

so lost, would have starved except she dared

him kernel by kernel of corn out from behind

a leaf, into her home, into bright hands,

welcome gaze.

 

A little red wagon, you know the kind, that

I spied short before one Christmas week.

And in all mock sincerity, explained, not for me,

but for a little boy down the block.  A rouse that

worked, if almost too well, and to my 

Christmas morning surprise.  Genuine.

 

And what does a boy-child do first discovering

a blue-ball-point pen?  Fill in the spaces,

like white on green leaves, a bedroom plant

living in the shade.  And only her gentle request,

a tear or two she couldn’t restrain, was more than

enough for me to understand consequence.

 

Dimes she left out for me on her bedroom

dresser.  A little box, a secret box, that she

told me about to find all for myself.

 

A two-wheeled cart we rolled back and forth,

the grocery store, Uncle Ben’s steamed white

rice.  No one ever made rice like you!  One

of her many small mysteries.

 

Everything grew by her touch, everything.

Anything green, certainly.  Her slightest touch

a blossom’s blush.  Everything wanted to

please her eye.  Really, if you were there,

you’d understand, you too would want her

glance.  Everything grew, everything!

 

Careful about those Mexicans, she’d say,

nearly like a recording, obliged to repeat.

However now guess who lived next door,

and to whom she’d oft deliver a neighborly

bowl.  Observe, was how she really taught.

 

After lunch, another Vermont farm feast,

or anytime, posed and poised, rooted firm

she’d stand just outside the kitchen door.

Her hand held high, her eye in sight until

beyond goodbye.  Without exception,

every breath she gave away willingly.

 

And now my turn, even though she’s

long past gone afar, to stand and wave

while my eyes hold this evening light.

 

I give these words.  And wave to you.

 

 

Neil Reid © August 2009


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